Other Stage Rôles Articles/Reviews

Girl Unknown review by Clive MacManus in the Dail Mail 17 September 1936
Sowers of the Hills review by Eric Keown with illustrations in Punch 6 November 1935
Repayment review in The Stage 9 January 1936
Noah review by Ivor Brown in The Observer 7 July 1935
Mary Tudor review by Philip Page in The Sphere 21 December 1935
Mary Tudor review in the Illustrated Sporting and Dramatic News 27 December 1935
Marius Goring as Amor in 'The Happy Hypocrite' by Max Beerbohm with Ivor Novello as Lord George Hell and Vivien Leigh as Jenny Mere at His Majesty's Theatre, London 1936
Review of 'The Happy Hypocrite' in The Bystander 29 April 1936. Sketches by Rouson
Marius Goring as Max & Lucie Mannheim as Anna in 'Girl Unknown' by Ferenc Molnár at the New Theatre September 1936
The Witch of Edmonton review in The Bystander 23 December 1936
Review of Paul Leslie's 'Satyr' in The Bystander 30 June 1937 by A.V.C. with sketches by Rouson
Marius Goring, Flora Robson, Ena Dorne, Ellis Irving, A.E. Matthews and Patricia Mallinson in 'Satyr' at the Shaftesbury Theatre 1937
'Satyr' review Page 1 by Alan Bott in The Tatler 7 July 1937. Illustrations by Tom Titt
'Satyr' review Page 2 by Alan Bott in The Tatler 7 July 1937. Illustrations by Tom Titt
Review of 'The Last Straw' at the Comedy Theatre 1937 by Herbert Farjeon with sketches by Rouson. The Bystander 20 October 1937
Marius Goring, Lucie Mannheim, Andre Morell and Tom Gill in 'The Last Straw' at the Comedy Theatre 1937
'Surprise Item' review in The Sketch 16 March 1938 by Ivor Brown. Sketches by Robert Stewart Sherriffs
'Surprise Item' review by Herbert Farjeon in The Bystander 16 March 1938. Sketches by Rouson
Surprise Item review by Eric Keown with illustrations in Punch 9 March 1938
'The White Guard' article in The Bystander 19 October 1938
Nina article by Stephen Williams in the Evening Standard 3 April 1939
Great Expectations review with illustrations by Eric Keown in Punch 20 December 1939
Rosmersholm review by Eric Keown in Punch 21 July 1948
Too True To Be Good review by Eric Keown with illustration in Punch 4 August 1948
Marriage review in The Evening Standard 22 October 1948
Marriage & The Bear review in The Times 15 October 1948
The Third Man review by Eric Keown in Punch 24 November 1948
Rosmersholm review in The Times 9 July 1948
The Madwoman of Chaillot review by J.C. Trewin in the Illustrated London News 3 March 1951
The Mad Woman of Chaillot review in The Guardian 17 February 1951
The Madwoman of Chaillot article in The Stage 1 March 1951
The Madwoman of Chaillot review by Eric Keown & caricature of Martita Hunt by Ronald Searle in Punch 28 February 1951
The Madwoman of Chaillot review by Beverley Baxter in the Evening Standard 16 February 195
The Bells review by J.C. Trewin in the Illustrated London News 3 February 1968
A Penny for a Song review by Eric Keown with caricatures by William Hewsion in Punch 15 August 1962
A Penny for a Song review by R.B. Marriott in The Stage 9 August 1962
Ménage à Trois review in The Times 20 March 1963
A Penny for a Song review in the Illustrated London News 18 August 1962
Ménage à Trois review by Harold Hobson in The Sunday Times 24 March 1963
Norman Rodway and Marius in 'The Poker Session' at the Globe Theatre, London 1964
The Poker Session review by B.A. Young with caricature in Punch 19 February 1964
The Bells review by Jeremy Kingston with MG caricature in Punch 31 January 1968
The Bells review by Ronald Bryden in The Observer 28 January 1968
The Demonstration review by Irving Wardle in The Times 20 November 1969
Habeas Corpus review by Andrew Veitch in The Guardian 25 September 1975
I Have Been Here Before article & review in the Aberdeen Press and Journal 4 June 1985
The Demonstration review by Ronald Bryden in The Observer 23 November 1968
Sunsets and Glories review by Michael Schmidt in The Daily Telegraph 5 July 1990