The Red Shoes 1948

 

Directors: Michael PowellEmeric Pressburger

 

Writers: Hans Christian AndersenEmeric PressburgerKeith Winter 

Rôle: Julian Craster

 

Release Date: 22 July 1948

Synopsis: Under the authoritarian rule of charismatic ballet impresario Boris Lermontov, his proteges realise the full promise of their talents, but at a price: utter devotion to their art and complete loyalty to Lermontov himself. Under his near-obsessive guidance, young ballerina Victoria Page is poised for superstardom, but earns Lermontov's scorn when she falls in love with Julian Craster, composer of "The Red Shoes," the ballet Lermontov is staging to showcase her talents. Vicky leaves the company and marries Craster, but still finds herself torn between Lermontov's demands and those of her heart.

Comment: This was one of Marius's rare romantic rôles but one that made him famous. His blue eyes and red gold hair are just made for technicolour and we get to once again see him play the piano. My favourite scene is the carriage ride along the coastline. So romantic! I also love the scene where Boris Lermontov finds out about Vicky and Julian's romance. "Charming!' he says through gritted teeth. And the scene where Julian is sacked by Boris and how he rushes to get to the door ahead of him and then stops and turns around to give him a filthy look, as if to say "Fuck you, Boris!".

Reviews: An excellent essay "The Red Shoes: Dancing for Your Life" on the film by David Ehrenstein was written to accompany the film's Blu Ray release by the Criterion Collection. It says, in part: "Earlier, Lermontov explained to the composer: “The ballet of The Red Shoes is from a fairy tale by Hans Andersen. It is the story of a girl who’s devoured by an ambition to attend a dance in a pair of red shoes. She gets the shoes, goes to the dance. At first, all goes well and she’s very happy. At the end of the evening, she gets tired and wants to go home. But the red shoes are not tired. In fact, the red shoes are never tired. They dance her out into the streets. They dance her over the mountains and valleys, through fields and forests, through night and day. Time rushes by. Love rushes by. Life rushes by. But the red shoes dance on.”

“What happens in the end?” Craster inquires. 

“Oh, in the end, she dies,” says Lermontov, with brisk matter-of-factness. 

There are two elements that make this pivotal moment indelible. One is, of course, Walbrook—the dramatic stress he places when intoning “the red shoes” and “never tired,” the masterly cool with which he dominates the scene. The other is the sudden appearance on the soundtrack of the first notes of music for the ballet that Craster has yet to write. It’s already a part of him, Powell and Pressburger seem to be saying. It’s an assignment that’s ordained by fate. And so is its outcome. Julian and Vicky will not only work together as artists but fall in love. And this love will prove their undoing."

Availability: DVD & Blu Ray (Criterion Collection) Release Date: 20 July 2010.

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The Red Shoes article by C.A. Lejeune in The New York Times 28 June 1947
The Red Shoes article by C.A. Lejeune in The New York Times 26 July 1947
The Red Shoes review in the Richmond Times Dispatch 13 May 1949
The Red Shoes review in The Courier Journal Louisville Kentucky 4 February 1949
The Red Shoes article in The Sphere 31 July 1948
The Red Shoes review by Dilys Powell in The Sunday Times 25 July 1948
The Red Shoes review by Campbell Dixon in The Daily Telegraph 26 July 1948
The Red Shoes review in the Clarion Ledger Jackson Mississippi 29 May 1949
The Red Shoes review by Bosley Crowther in The New York Times 22 October 1948
The Red Shoes review in the Daily News New York 7 November 1948
The Red Shoes article with photos in the Illustrated London News 31 July 1948
The Red Shoes review in the Valley Times (North Hollywood, California) 27 March 1951
The Red Shoes review in The Times 22 July 1948
The Red Shoes review in the Arizona Daily Sun 10 February 2017
The Red Shoes video release review in The Charlotte Observer 8 July 1987